PRESS
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NEW YORK TIMES
“(Christopher Marley’s) Biophilia is...an elegant manifesto meant to nudge us off our couches and easy chairs and out the door...(it's) a stark memo on how little we know of what we claim is our world. It encourages us to repeat the names of these species that, mostly, we don’t have a clue about. It makes us peer into eyes we cannot fathom. One of art’s goals is to shock and awaken, and Biophilia hits that mark soundly… In his art, he reclaims each animal’s physical body, then its spirit.”
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SMITHSONIAN.COM
“Christopher Marley has used his skills as a designer, conservator, taxidermist, and environmentally responsible collector to make images and mosaics that produce strong, positive emotional responses in viewers… While his work is motivated by aesthetics, many of the artist’s mosaics tell scientific stories, particularly those that include organisms that are genetically related but live in different parts of the world… He painstakingly arranges according to color to highlight their striking visual relationships.”
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AUDUBON
“As an artist, Marley offers a perspective on nature that’s more corporeal than conceptual. It manifests itself in clean lines and axes—orbiting specimens that have passed from life to deities of art… It’s all part of a marvelous display, one that silences any notion that the natural vessel is worthless after death.”
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WIRED MAGAZINE
“...each specimen is flawlessly captured in its natural, pristine glory and arranged with the geometrical precision of a design firm’s logo, giving the otherwise messy world of nature a sleek, modern aesthetic.”
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SCIENTIFIC AMERICAN
“The most striking element is how he uses color—organizing creatures by hue, which ‘forces the reader to look beyond taxonomy and focus instead on the inherent, dazzling artistry of life itself.’”
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NPR
“Rather than focusing on scientific study or traditional taxidermy, Marley's art is driven by an intention to redeem death, creating elegant, symmetrical compositions that allow viewers to appreciate the sheer beauty of the organism.”
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SLATE MAGAZINE
“Nature can seem messy, chaotic, even frightening, but in Christopher Marley's world, it's a bounty of useable materials that can be infinitely organized and aestheticized.”
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MUSINGS ON NATURE
Crystal Bridges Museum of American Art
“Having made nearly all of the special exhibitions at that world-class art museum over the last dozen years, this was the most stunningly beautiful showing I have seen.”
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THE MARGINALIAN
Beaty Biodiversity Museum (Vancouver, Canada)
“A modern-day Ernst Haeckel of photographic art, Marley painstakingly arranges his specimens into mesmerizing patterns and stages them for individual portraits that reveal the dazzling grandeur of these humble creatures…”
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BEYONDbones
Houston Museum of Natural Science
“Biophilia, which I’m still struggling to spell correctly, translates to 'love of life' and it is truly a fitting name for this magical experience. The artist, Christopher Marley, has created some of the most dynamic three dimensional pieces I have ever seen...”
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URBAN FRINGE MAGAZINE
North Carolina Museum of Natural Sciences
“Immediately entering, you are swooped away from the bustling crowd below and into complete serenity... His striking pieces command attention as the darkened ambiance of the gallery serves as a canvas to illuminate his works.”
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OPB
Oregon Museum of Science and Industry
“This is the highest level of engagement I've had of any field trip that I've done like this... This has really been awesome for me as a teacher to see how excited they are about interacting with the exhibit and really thinking about it.”
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OREGON LIVE
Oregon Museum of Science and Industry
“The exhibit succeeds in its stated goal of taking animals that most people would ignore, squash, or recoil from and arranging them into compositions that command awe and appreciation.”
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TANGO DIVA
Oregon Museum of Science and Industry
“It is an immersive, stunning exhibit that will leave you in awe of the sheer beauty of the natural world, even in death.”
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KATU NEWS
Oregon Museum of Science and Industry
“The exhibit succeeds in blurring the lines between art and science by revealing the intricate beauty of organisms we might otherwise find repulsive.”